Lost Houses – Stainsby House

Any reader who thinks I might have run out of substantial lost country houses to describe by now will be, I am afraid, mistaken. I may have been seduced into writing about some modest ones, but more substantial casualties are still unrecorded in this series. One of them is Stainsby House, Smalley, seat of the Wilmot-Sitwell family. In The Derbyshire Country House (3rd edition 2001), I described this house as ‘remarkably large and incorrigibly unlovely’ and I feel that I can stand by that assessment without demur. One always expects Classical country houses to be symmetrical, but Stainsby was anything but. Stone built of finely ashlared Rough Rock from Horsley Castle quarry, the entrance front, which faced approximately North, had a recessed, wide, three bay three storey centre flanked on the left by a two bay wing which was built slightly forward of the centre and which extended by a further three bays to the west but of only two lower storeys. To the right was a much longer four bay wing, also breaking forward, and the two projections were joined by a ground floor loggia centered by a pedimented Ionic portico. There were quoins at the angles, a top parapet and grooved cornice. As if that wasn’t enough, the south (garden) front had a regular three bay pedimented centre, flanked by two bays either side set slightly back, although the attic storey to the right had three lights, whilst that to the left only two. The east portion ended with a full height canted bay, but this feature was absent from the west end of the façade, which stopped abruptly with the lower three bay two storey part seemingly tacked on and set back a little further. At the west end, too, was a sort of pavilion wing with five bays facing west, beyond which was the coach house and stable court with a high arcaded lantern, probably the handsomest part of the entire building. The origin of the house and estate are equally complex. A part of Smalley came into the hands of the Morleys of Morley but, by c1250 it had come to William de Steynesby, a member of the family of Steynesby from the village near Hardwick we now spell Stainsby, and it is thanks to him that the estate acquired that name. His grandson, Sir William de Steynesby died c1300 and from him it somehow became the property of the Sacheverells of Hopwell about 1601. Because the estate was rich in coal, it was extremely valuable and was sold on again to George, second son of George Mower of Barlow Woodseats, whose name in the context of Stainsby is more often spelled More. In 1629, aged 21 he married Mary daughter of Robert Wilmot of Chaddesden. With his son also George (died c1705), he exploited the coal. The second George More died without surviving issue when the estate was again sold to a Heanor mining entrepreneur John Fletcher (died 1734), whose newly granted (1731) coat-of-arms was a riot of mining implements. He probably built the core of the later house, being the wide three bay three storey centre portion. Indeed, the Mores’ house must have been a much more modest affair, taxed on only three hearths in 1670. Fletcher’s son married the eventual heiress of the Smalley Hall estate (which went on his death to the eldest grandson). The youngest grandson , John Fletcher, inherited Stainsby. With his death without issue, it came to his sister, married to Francis Barber of Greasley, Notts, who like all the other families involved, were coal owners. The estate then passed to Francis’s son John (1734-1801), who lived amongst the family’s Warwickshire coal mines at Weddington and allowed his mother to remain in the house until her death. He is notable as a friend of John Whitehurst and was the inventor of the gas turbine. When old Mrs Barber died the estate was sold, through a middle man called Samuel Buxton, to Edward Sacheverell Wilmot, a grandson of Robert Wilmot of Chaddesden Hall, Derby who had married Joyce, the heiress of the famous Whig politician, William Sacheverell, whose extensive estate included that of Morley. His aim in acquiring the estate was to unite the two portions of the original Morley family holding, half of which he had already inherited from the Sacheverells. Another Sacheverell heiress had conveyed a third portion of the estate to the Sitwells of Renishaw and George Sitwell’s heiress Elizabeth, had left it to him in her will, obliging him to assume the surname and arms of Sitwell in addition to Wilmot. He seems immediately to have set about enlarging the house by adding the projecting wings, presumably in view of their irregularity in separate building campaigns, although the four bay one may originally have been narrower. Whatever additions had previously been made to the Fletchers’ house is beyond our ken, but it may have dictated the disparity in size of the projecting bays and the strange placing of the attic windows on the garden front. Whether he had an architect – Thomas Gardner of Uttoxeter built in this plain monumental style in the 1790s locally – or used a local builder we do not know. The new owner died in 1836 whereupon his son, Edward Degge Wilmot-Sitwell decided on a rebuild which Charles Kerry claims was done in 1839, including having the house ‘refaced and restored’. This seems to have included the west extension, the entrance front arcaded loggia and the canted bay on the right of the garden front.  It may also have included the Main Road boundary wall with its strange conically roofed bastions and Gothick gateway, along with the expansion of the right hand bay of the entrance front as well. As it would seem likely that any scheme of rebuilding would have surely included a matching bay to the left of the garden front, one is of the opinion that the alterations were actually set in train by Wilmot-Sitwell senior

Country Images Magazine

Featured Posts

Euromedia Associates Ltd

Country Images Magazine is Derbyshire’s leading independent lifestyle magazine, proudly rooted in the heart of the county and dedicated to celebrating its rich heritage, natural beauty, and vibrant communities. Each issue features a carefully curated selection of articles exploring Derbyshire’s history and landscapes, alongside the latest home and interior design trends, local theatre productions, cultural events, dining destinations, and lifestyle inspiration.

In addition, Country Images provides a trusted platform for showcasing independent local businesses, highlighting those that offer outstanding products, personalised service, and a genuine commitment to quality. Through thoughtful editorial and strong community connections, the magazine continues to inform, inspire, and connect readers across Derbyshire.

Euromedia Associates Ltd Logo